Murshidabad India

174 Cruises availables At departure or passage at this port

Scenic Cruises (74 Cruises)

Scenic Aura.

Scenic Aura

44 Passengers
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Uniworld Boutique River Cruise (100 Cruises)

Ganges Voyager II.

Ganges Voyager II

92 Passengers
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Murshidabad, India | Cruise Port Guide

There was a time when the decisions that mattered in Bengal were made here, on this bank of the Hooghly where your boat moors. Murshidabad preceded Calcutta as the capital of the province, and what remains is a group of monuments that astonishes anyone who had never heard its name. River cruise ships stop practically at the foot of the main one: you walk down the gangway, cross a lawn, and the story begins. It was also near here, at Plassey, that a battle in 1757 tipped Bengal into British hands; the splendours you are about to explore date mostly from the century following that defeat of the nawabs, who became sovereigns without a crown.

The Palace of a Thousand Doors

The Hazarduari occupies the riverbank like a stage set. Built between 1824 and 1838 for Nawab Humayun Jah, it bears the signature of Duncan McLeod, a Scottish architect who gave Bengal a Doric-style monument worthy of a Greek temple. Its name means "a thousand doors": nine hundred actually exist, while the other hundred are merely trompe-l'œil, said to have served to disorient potential intruders. The interior, now a museum, lines up European paintings, porcelain, ceremonial weapons and enormous chandeliers. Allow a good hour to walk through its rooms, more if the colonial collections hold your attention.

Around the Esplanade

Coming out, look up at the white building facing the Hazarduari: the Nizamat Imambara, completed in 1847, ranks among the largest Shia congregation halls in India. Between the two stretches an esplanade where schoolchildren, goats and tea vendors cross paths, with an old mosque and a clock tower in the background. The scene is worth lingering over for a few minutes, simply to watch life flow between these 19th-century façades. On the lawn also sits a ceremonial cannon that local guides present with more or less embellished tales; let them tell you the various versions, as they are part of the local folklore.

By Rickshaw Through the Former Capital

The next attractions require a short ride, handled by electric rickshaws, often organized by your crew. The Katra Mosque, built in 1724, raises its massive minarets above a lively neighbourhood; its patron, Murshid Quli Khan, the city's founder, lies beneath the entrance staircase, a deliberate humility that still surprises visitors. Farther on, the Kathgola mansion tells another story: that of wealthy Jain merchants who built themselves a Georgian-inspired residence surrounded by gardens, proof that local prosperity did not belong to the nawabs alone.

A Few Practical Pointers

The stop generally takes place in the morning or afternoon, without great distances: everything happens within a radius of a few kilometres. Bring water, a hat and shoes that are easy to slip off for places of worship, which you enter barefoot. Stalls offer Murshidabad silk, woven in the region for generations; a few rupees in small bills make purchases easier. Traffic remains light compared to India's big cities, which makes rickshaw rides surprisingly peaceful: you meet more bicycles and carts than cars, and drivers take the time to slow down in front of each monument to let the cameras do their work.

When it is time to go back on board, the evening light softens the façade of the Hazarduari and fishermen haul in their nets in the current. You leave with a singular impression: that of having visited a capital that history set aside, but which has never stopped inhabiting its monuments. The river, for its part, continues on its way to Calcutta, as it always has.

Frequently Asked Questions

On the bank of the Hooghly, practically at the foot of the Hazarduari Palace: you walk down the gangway, cross a lawn and the visit begins. Few river calls place the main monument so close to the ship.
Because it preceded Calcutta as capital of the province. It was near here, at Plassey, that a battle in 1757 brought Bengal under British control, and the splendours you visit date mostly from the century that followed that defeat of the nawabs, rulers without a crown.
The "palace of a thousand doors", built between 1824 and 1838 for the nawab Humayun Jah. It bears the signature of Duncan McLeod, a Scottish architect who gave Bengal a Doric monument worthy of a Greek temple, set on the riverbank like stage scenery.
No: nine hundred doors are real, the other hundred are trompe-l'œil. The story goes that they were meant to disorient intruders. It is the anecdote every guide tells, and it happens to be true.
The palace is now a museum: European paintings, porcelain, ceremonial weapons and outsized chandeliers fill the halls. Allow a good hour to walk through, longer if the colonial collections hold you.
The white building facing the Hazarduari, completed in 1847, one of the largest Shia congregation halls in India. Between the two lies an esplanade where schoolchildren, goats and tea sellers cross paths — a scene worth a few minutes of your time.
A mosque built in 1724, its massive minarets rising above a busy quarter a short ride from the palace. Its patron, Murshid Quli Khan, founder of the city, lies buried beneath the entrance staircase: a deliberate humility that still surprises visitors.
A Georgian-inspired residence set in gardens, built by wealthy Jain merchants. It is a reminder that Murshidabad's prosperity did not belong to the nawabs alone, and it makes an interesting counterpoint to the official monuments.
By electric rickshaw, usually arranged by the ship's team. Traffic is light compared with major Indian cities: you meet more bicycles and carts than cars, and the drivers slow at each monument to let the cameras work.
Silk, woven in the district for generations. Stalls near the monuments sell it, and small-denomination rupee notes make purchases easier. Bring water, a hat and shoes that slip off easily too: places of worship are entered barefoot.